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ON EVERY STREET: A surprizingly mellow number revolving around a theme, in the last few seconds it bursts off. It has name of some Elvis's songs in its lyrics. CALLING ELVIS: A straight forward rock n' roll number dedicated to the king of rock n' roll. It has 12 tracks enough to give us a trip of what western music is all about. This is the most experimental album by Dire Straits. To listen to this album is to love Dire Straits in their twilight, the end of a beautiful era. While the more recognizable hits on this album are "Heavy Fuel" and "Calling Elvis", which are quite good, these other songs would be my faves, along with the ironic "My Parties", the hilariously satirical "Ticket to Heaven", and the mini-jazz riff "Fade to Black". Crank this one up with a special lady friend on a chill winter evening with the fireplace roaring, all you gentlemen out there, and let the fun begin!
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"You and Your Friend" is truly erotic! You can feel a slow and sensual buildup that becomes almost unbearable with the bass turned high. "On Every Street" itself is one of the most beautiful songs I have ever heard, bittersweet and filled with unrequited longing, and illustrates Mark Knopfler's desire to convey "the essential loneliness of a lot of life experience". It is their swan song before drifting into the sweet halls of nostalgic memory. While not particularly successful commercially, On Every Street is still a must-have for any Dire Straits fan. The result can be seen as a dignified-and, at times, even inspiring-farewell album. Instead of Sting singing "I Want My MTV," fans got Hillbillies pedal steel player Paul Franklin adding to the high-lonesome sound of the quite infectious title track and the epic "Planet of New Orleans," along with meditations on the mistreatment of striking miners in the cinematic "Iron Fist," and some of Knopfler's most haunting guitar work throughout. On Every Street finds those influences complementing the late-night melancholy that's always been Dire Straits' specialty. Instead, he took time out to play with the Notting Hillbillies and Chet Atkins (while most British guitar heroes idolize American blues, Knopfler obviously has a thing for Nashville). Sure, radio programmers could hear echoes of "Money for Nothing" in "Heavy Fuel," or traces of "Walk of Life" in "The Bug," but Mark Knopfler wouldn't have waited six years to follow up the band's megaplatinum Brothers in Arms if that was all he had in mind. On Every Street is an amazing album, if only for its apparent refusal to exploit the success of its predecessor.